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Page 8
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ARTIST SEEMA KOHLI ON HER NEW BOOK
Noor Anand Chawla
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February 12, 2024
Being jury member at InternationalEmmys was beautiful experience: Radhika Madan
Uzair Merchant releases the 8th sin with AI collaboration
The Grand Vision: An Italian Farnesina Collection arrives in New Delhi
Spirited away into the magical realms of Studio Ghibli and Hayao Miyazaki
Two pianists test the meaning of virtuosity
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March 7, 2020
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Pakistan’s obsession with Madhuri
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March 7, 2020
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Charlie Hebdo massacre and a long road to recovery
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March 7, 2020
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Second season manages to keep one hooked
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March 7, 2020
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‘Girl From the North Country’ Review: Bob Dylan’s Amazing Grace
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March 7, 2020
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How organic sanitary pads are the new game-changer
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March 7, 2020
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‘Female artists are expected to adhere to a stereotype’
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Celebrating women & womanhood in a style
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When the show must go on, even amid a coronavirus outbreak
New York Times
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March 7, 2020
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The curious case of the strangely similar movie titles
nibedita saha
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February 29, 2020
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At New York City Ballet, swans use grit to find glory
New York Times
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February 29, 2020
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The lost kingdom of Bahawalpur
THE SUNDAY GUARDIAN
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February 29, 2020
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For Hilary Mantel, there’s no time like the past
New York Times
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February 29, 2020
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A quintessential underdog story
Murtaza Ali Khan
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February 29, 2020
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Dance is the symphony of the soul, says Uma Sharma
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February 29, 2020
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Fashion Gods
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February 29, 2020
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God’s Own Breath
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February 22, 2020
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Breaking stereotypes in the art world
Neeva Jain
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February 22, 2020
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The culinary couple who built a British empire
New York Times
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February 22, 2020
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Why Pakistan is so keen to prop up ‘Pop Sufism’
Utpal Kumar
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February 22, 2020
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Entertaining but not for the frail heart
Murtaza Ali Khan
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February 22, 2020
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In Coal Country, memories from a mining tragedy live on
New York Times
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February 22, 2020
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‘My journey has been satisfying and exhausting’
Bulbul Sharma
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February 22, 2020
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How Mexico’s muralists lit a fire under US artists
New York Times
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February 22, 2020
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Games Indians play but don’t perform too well
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February 15, 2020
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I think both TV and web will co-exist: Namit Das
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As virus tightens grip on China, the art world feels the...
New York Times
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Why doctors dismiss dizziness
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February 15, 2020
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Fast and Curious
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February 15, 2020
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The queen of strings
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February 8, 2020
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There is no mantra for success: Ruchita
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February 8, 2020
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Fran Drescher, millennial whisperer
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February 8, 2020
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Weak plot, annoying narrative confuse viewers
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February 8, 2020
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We are still obsessed with Britney Spears
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February 8, 2020
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Alice Mayhew, editor of a who’s who of writers, dies at...
New York Times
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February 8, 2020
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A book so far ahead of its time, it took 87...
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February 8, 2020
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The ultimate guide to startup success in 2020
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February 8, 2020
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Up close, there’s more to the Ghent Altarpiece than the Lamb
New York Times
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February 1, 2020
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Searching for strange in a normal, believable world
Utpal Kumar
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February 1, 2020
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Oscar’s most talented newcomer is 59-year-old Anotonio Banderas
New York Times
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February 1, 2020
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Seasoned cast lend credibility to the biopic
Murtaza Ali Khan
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February 1, 2020
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Needed, a new regulatory body for medical devices
THE SUNDAY GUARDIAN
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February 1, 2020
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‘Aesthetic sense guides better than technical knowledge’
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February 1, 2020
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Milind Showman
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February 1, 2020
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A sense of balance
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January 25, 2020
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What Winter Jazzfest says about where the music is going in...
New York Times
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January 25, 2020
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Reagan Arthur named publisher at Knopf
New York Times
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January 25, 2020
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The Making of ‘2001: A Space Odyssey’ Was as Far Out...
New York Times
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January 25, 2020
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‘OTT is the future of content consumption’
Bulbul Sharma
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January 25, 2020
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Upcoming exhibition focuses on global climate crisis
New York Times
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January 25, 2020
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Exploring emojis King Tut might have used
New York Times
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January 25, 2020
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At Globalfest, Rowdy Sounds From Around the World
New York Times
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January 18, 2020
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Alternative therapies to cope with workplace stress
THE SUNDAY GUARDIAN
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January 18, 2020
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The boldest portrayal of Dracula in a long time
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January 18, 2020
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‘Online platforms let us go deeper into stories’
Rishita Roy Chowdhury
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January 18, 2020
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In ‘Serious Noticing,’ James Wood Closely Reads Chekhov and Others—Including Himself
New York Times
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January 18, 2020
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Residence-turned-museum: A Jimi Hendrix experience in London
New York Times
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January 18, 2020
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‘Indians have come a long way in accepting standup culture’
Rishita Roy Chowdhury
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January 18, 2020
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The graves of Kabul
THE SUNDAY GUARDIAN
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January 18, 2020
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Aesthetics and efficiency: The coolest architecture on Earth is in Antarctica
New York Times
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January 11, 2020
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Elizabeth Wurtzel, Prozac Nation author, is dead at 52
New York Times
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January 11, 2020
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Youth-oriented motifs rule this period film
Murtaza Ali Khan
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January 11, 2020
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On this night, old Hollywood holds off new
New York Times
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January 11, 2020
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Education is the first step towards an inclusive India
THE SUNDAY GUARDIAN
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January 11, 2020
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‘DIAF projected India as a cultural superpower’
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January 11, 2020
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Amar Kanwar’s multimedia artworks to be exhibited in Dubai and Abu...
THE SUNDAY GUARDIAN
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January 11, 2020
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Always on the move
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January 11, 2020
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Travel and culture inspire Anita’s designs
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January 4, 2020
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Ghost stories review: Element of horror comes across as a breath...
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January 4, 2020
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Four of India’s top directors make their horror debut
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January 4, 2020
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Inside The Circle, reality TV gets a social media filter
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Why regional cuisine is trending in Indian cities
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January 4, 2020
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Here’s everything that made 2019 a memorable year for Hindi...
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January 4, 2020
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Reconfiguring the medical devices distribution network
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January 4, 2020
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An Opera of Trench Warfare
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January 4, 2020
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A death foretold
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January 4, 2020
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An Instrumental Role
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December 28, 2019
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Using his camera as a witness and weapon
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December 28, 2019
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Pop Music in 2019: An Escape From Isolation?
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In Gory, Majestic Fiction, a Hard Look at the Holocaust’s Stubborn...
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December 28, 2019
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